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Gramophone Awards 2021

De nominerede

Herunder er de nominerede album til årets prisuddeling af det store, verdensomspændende musikmagasin, Gramophone.

Læs anmeldernes begrundelser under de mange gode titler.

Vinderne i de 11 kategorier udnævnes den 5. oktober 2021.
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Image Piano Quintets
Editor's Choice july 2020
" Deebly reflective playing of these beautiful and emotionally crafted quintets from the ever-impressive Takács Quartet, joined by a perfect partner in pianist Garrick Ohlsson." - Martin Cullingford

"Ohlsson and the Takács are to be congratulated for the warmth of their interpretation and for their ability to encompass the challenging range of Elger's complex moods" Jeremy Dibble, Gramophone

Amy Beach’s piano quintet proved a deservedly
popular success in its early years. It makes a
compelling—and surprising—match for Elgar’s
own piano quintet: a late work contemporary with
the cello concerto, and which inhabits the same
emotional landscape.

❤ ❤ ❤ ❤ ❤ ❤ Køb, download eller stream dette album og lyt til noget smuk, romantisk følsom musik. Politiken

kr. 149,95
Image Violin Sonatas Nos. 7 & 10
Editor's choice
"A brilliant sonata series closes on high: James Ehnes and Andrew Armstrong have proved themselves players in perfect dialogue throughout this memorable addition to catalogue" Gramophone, februar 2021

"That Armstrong and Ehnes achieve this in the context of a performance that is so satisfying on its own terms is the measure of their achievement - and a wonderfully positive conclusion to a life-enhancing cycle" Richard Bratby, februar 2021

This, the final release in the complete Beethoven Violin Sonatas from James Ehnes and Andrew Armstrong will be eagerly awaited by their fans. The earlier albums ONYX4170 (Nos.9 ‘Kreutzer’ & 6) and ONYX4177 (Nos.1-3, Variations WoO40) received outstanding reviews. On this new album the dramatic 7th Sonata of 1802 is paired with the serene 10th. composed in 1812 for the great violinist Pierre Rode.


kr. 139,95
Image Geysir; Gran Partita K.361
Editor's choice
"Another wonderful 'Gran Partita', from a particaurly impressive line-up, is preceded here by a beautifully crafted work from composer and clarinettist Mark Simpson for the same forces" Gramophone, februar 2021

"His elite players, led by oboist Nicholas Daniel and the composer himself, do him proud, in a performance of risk-taking virtuosity, recorded in the ideal ambience of Saffron Hall" Richard Wigmore, Gramophone, februar 2021


A stunning pairing of Mozart’s glorious ‘Gran Partita’ Serenade with a work written specifically to be performed alongside it, Geysir by the exceptional clarinetist-composer, Mark Simpson. Mark Simpson’s simmering, volcanic Geysir was inspired by the rich opening chord of Mozart’s ‘Gran Partita’, and by its bubbling clarinet writing, which develop into what Simpson describes as a “flurry of colour and harmonic shifts”. As a clarinetist himself, writing Geysir “was an instinctive thing – it never felt like trying to overcome any limitations… I’m very proud of it…” Mark Simpson, who performs on this release alongside a line-up of other extraordinary musicians including oboist Nicholas Daniel, was the first ever winner of both the BBC Young Musician of the Year and BBC Proms/Guardian Young Composer of the Year competitions in 2006. By 2019 he was composer in residence at the Leicester International Music Festival, and is currently working on a Violin Concerto for Nicola Benedetti and commissions for the LSO, WDR Sinfonieorchester and RSNO.

kr. 139,95
Image Nordic Rhapsody
"A release to relish, this, boasting admirably realistic sound courtesy of Jens Braun, as well as expert notes by our own Andrew Mellor" Andrew Achenbach, Gramophone

Only 20 years old, Johan Dalene has already been hailed as ‘a musician of special sensibilities’ (Gramophone) in possession of ‘a rare fire’ (Diapason), and his début disc, with the concertos of Tchaikovsky and Barber, was described as ‘one of the finest violin débuts of the last decade’ in the BBC Music Magazine. For his second album, the Swedish violinist has chosen repertoire closer to home, with works by six Nordic composers. This is music that lies equally well under the hands of his partner, the Norwegian pianist Christian Ihle Hadland, and together the two offer a program full of contrasts, and yet with a certain consistent sensibility. Nordic Rhapsody is bookended by two Norwegian composers, Christian Sinding and Edvard Grieg. What is interesting is that even though Sinding’s Suite ‘in the old style’ was composed some 25 years after Grieg’s Sonata No. 1, it is the latter work that is most forward-looking. Here the composer introd­uces elements of his national style, which in turn would contribute to the development of ‘a Nordic style’. Following on the heels of Sinding is a Swedish-Finnish-Danish trio with personal ties – Wilhelm Stenhammar was a close friend of both Sibelius and Nielsen, whose music inspired him to free himself from Central European influences. His Romances and the three miniatures by Sibelius were composed during the 1910s, while Nielsen’s Romance in D major is a youthful work offering Dalene – winner of the 2019 Nielsen Competition – the opportunity to send a greeting to the composer. Last but not least among these composers, Einojuhani Rautavaara represents a great leap in time. His music is often described as synonymous with a contemporary ‘Nordic style’, however, and the transition from Notturno e danza (1993) to Grieg’s Sonata is as smooth as the ice on a Finnish lake in winter.

kr. 149,95
Image Requiem
"(...) these performers preserve the music's poise and tenderness, while keeping it alive with nicely judged momentum (...)" Lindsay Kemp, Gramophone

The winner of numerous prestigious prizes, including several Gramophone Awards, the vocal ensemble Vox Luminis, founded by Lionel Meunier in 2004, is now regarded as a benchmark in the interpretation of the great works of German Baroque music. Its unfailingly faithful and lively approach to such masters as Bach, Buxtehude and Scheidt has made the group’s reputation, but this new recording features a major work by Heinrich Biber, a composer hitherto absent from its discography: his Requiem in F minor for 14 voices, composed around 1692. The program is completed by two sacred works by Christoph Bernhard (Herr, nun lässest du deinen Diener in Friede fahren and Tribularer si nescirem misericordias tuas), two pieces by Johann Joseph Fux, and the Sonata a 6 in A minor of Johann Michael Nicolai. This recording marks the beginning of a collaboration between Vox Luminis and another internationally renowned ensemble, the Freiburger Barockorchester, heard here in its Consort formation.

kr. 149,95
Image Latin Motets
Editor's choice
"The acclaimed Latvian Radio Choir, their sound so immidiately evocative and emotive, brings us beautiful Bruckner from the atmospheric acoustic of Riga Cathedral" Gramophone, februar 2021

"The excellent recording, made in Riga Cathedral, suits the performances perfectly" Christian Hoskins, Gramophone februar 2021.

★ ★ ★ ★ ★
"(...) this Latvian choir resounds from the bottom upwards and does sound much more like an anxious congregation praying." Michael Tanner, BBC Music Magazine februar 2021.

Ondine er stolt af udgive sit 17. Album med det prisvindende Lettiske Radiokor og dirigent Sigvards Klava dedikeret til a capella-værker af Anton Brucker.

Anton Bruckner (1824–1896) er kendt som en af de største symfonister fra det 19. århundrede. Alligevel udgjorde kormusik også en integreret del af komponistens output.

Dette album indeholder et udvalg af mindre korværker skrevet mellem årene 1848 og 1892. Mange af disse værker har længe været glemt. Efter en lang periode i korverdenens periferi er Bruckners moteter nu endelig vendt tilbage til lytternes bredere bevidsthed.

Det Lettiske Radiokor (LRC) er blandt de et af Europas topprofessionelle kammerkor, og dets raffinerede smag for musikalsk materiale, finhed i udtrykket og vokale udtryk har sat deres flag på verdenskortet. LRC's repertoire spænder fra renæssancemusik til de mest sofistikerede partiturer af moderne komponister; og deres arbejde kan beskrives som et lydlaboratorium – sangerne udforsker deres færdigheder ved at henvende sig til mysterierne ved traditionel sang såvel som kunsten ved kvarttone og overtone sang og andre lydproduktionsteknikker. Koret har etableret en ny forståelse for mulighederne ved den menneskelig stemme; og man kan sige, at koret er skaberen af et nyt korparadigme: hver sanger er et særskilt individ med sin egen vokalsignatur og rolle.


kr. 139,95
Image Die Schöpfung (2CD)
"(...) he [Antonini] cathes as exhilaratingly as anyone both the spirit and the letter of Haydn's unsullied vision" Richard Wigmore, Gramophone

Giovanni Antonini has been recording the complete symphonies of Joseph Haydn with the Alpha label for more than five years. Now the series is enriched by another monument by the Austrian composer: Die Schöpfung (The Creation), recorded in 2019 with the Bavarian Radio Chorus and his own orchestra, Il Giardino Armonico. This great oratorio was inspired by those of Handel, which Haydn heard performed by very large forces during his visits to England. The Creation, composed between September 1796 and April 1798, demanded such a colossal effort of him that he even fell ill just after its first performance; but the work enjoyed immense success. The marriage between the Bavarian chorus, so familiar with this masterpiece, and the period-instrument musicians of Il Giardino Armonico works perfectly, with a vocal trio composed of leading soloists: Anna Lucia Richter, Maximilian Schmitt and Florian Boesch.

kr. 239,95
Image The Prison
★ ★ ★ ★
"Bass-baritone Dashon Burton is convincing as the Prisoner, while soprano Sarah Brailey's honeyed tone is suited to the role of Soul." BBC Music Magazine

"Smyth's haunting music, given here in conducter James Blachly's new edition, is beautifully constructed and highly evocative" Guy Rickards, Gramophone

August 18th marks the 100th anniversary of the 19th Constitutional Amendment, granting women in the US the right to vote. A fitting time then for our release of the World Premier Recording of Ethel Smyth’s late masterpiece The Prison. Smyth left home at nineteen to study composition in Leipzig. In the company of Clara Schumann and her teacher Heinrich von Herzogenberg, she met and won the admiration of composers such as Tchaikovsky, Brahms, Dvorák, and Grieg. Smyth was the first woman to have an opera performed at the Met, in 1903. (The second was Kaija Saariaho, whose L'Amour de loin appeared there in 2016!) Smyth later became central to the Suffragette movement in England, writing the March of the Women. Her gender politics and sexuality were cause for attacks by critics, and she famously went to prison herself for throwing a stone through an MP’s window. Composed in 1930 and premiered in 1931 in Edinburgh’s Usher Hall, The Prison is a Symphony in two parts, ‘Close on Freedom’ and ‘The Deliverance’, set for soprano and bass-baritone soloists, chorus, and full orchestra. The text is taken from a philosophical work by Henry Bennet Brewster and concerns the writings of a prisoner in solitary confinement, his reflections on life and his preparations for death.

kr. 149,95
Image Violin Concertos 1 & 2; Solo Sonata
★ ★ ★ ★ ★
"The orchestra clearly relishes Martinu's highly corloured palette" Jan Smaczny, BBC Music Magazine februar 2021.

"Suffused with light, this is the most humane account of this work that I have encountered" Guy Rickards, Gramophone

Frank Peter Zimmermann, one of today’s most highly regarded violinists, takes our breath away with this recording together with the Bamberger Symphoniker and their chief conductor Jakub Hruša – one of the leading Martinu conductors of today. They start off by exploring the lyrical side of Bohuslav Martinu, offered in the Second Violin Concerto (1943), to dive into the neo-classical idiom championed by Stravinsky that informs the composer’s Violin Concerto No. 1. Béla Bartók’s Sonata for Solo Violin closes the album. Composed in 1944, only a year before Bartók’s death, it is a deeply personal statement which fuses the overall layout of Bach’s solo violin sonatas with Hungarian folk tradition with results that are as fascinating to the listener as they are challenging to the performer.

kr. 149,95
Image Piano Concerto & Concert champêtre
"(...) Latham-Koenig and Bebbington bring keen sensitivities for sonority and balance to a performance that is a model of clarity and precision" Patrick Rucker, Gramophone

"The acclaimed pianist Mark Bebbington marks his Resonus Classics debut, and the start of a new French music series, with a major new recording of works by Francis Poulenc.

Joined by conductor Jan Latham-Koenig, and the Royal Philharmonic Orchestra, this varied programme of works for piano features the Piano Concerto (the last of his five concertos) and the rarely-recorded piano version of the Concert champêtre so often performed by Poulenc himself.

Bebbington is also joined by oboist John Roberts and bassoonist Jonathan Davies for the Trio for Piano, Oboe & Bassoon, and the Sonata for Oboe & Piano."


kr. 129,95
Image Violin Concertos
Editor's Choice july 2020
"An Extraordinary performance from Alina Ibragimova, visceral and strongly personal." - Gramophone

❤️❤️❤️❤️❤️
Hendes fortolkning af landsmandens nyklassiske musik har en slank nøgtern grundklang, som var det barokmusik, og det resulterer altså i sovjetmusik uden varme, trøst eller håb.

Det er et album med stof til mange timers lytning og eftertanke – hvis man altså har lyst til at blive mindet om tilværelsens mørkeste sider.
Politiken


✩ ✩ ✩ ✩
Ibragimova is especially convincing in the fragility of these intimate moments, though her playing also has sarcastic kick and flair elsewhere. Financial Times


The prospect of hearing Alina Ibragimova in two of the most important concertos written for the violin is in itself irresistibly enticing, but Shostakovich aficionados will also welcome an opportunity to hear the rarely performed original opening to the Burlesque of No 1, subsequently made less fearsome for the soloist at the request of the work’s dedicatee, David Oistrakh.

kr. 149,95
Image Pious Anthems & Voluntaries (2CD)
★ ★ ★ ★ ★
"The choir makes the music sound as lived-in as Byrd or Howells." "BBC Music Magazine

Michael Finnissy was born in Tulse Hill in 1946. He studied at the Royal College of Music with Bernard Stevens and Humphrey Seale, and in Italy with Roman Vlad. Much of his early work was first performed in France and the Netherlands, while he was working as a freelance repetiteur and pianist for dance-classes. He taught at the Royal Academy of Music, at the universities of Sussex and Southampton, and at the Katholiek Universiteit in Leuven. He has also given summer courses at Dartington, and been resident artist at the Victorian College of the Arts in Melbourne (Australia). He has been featured composer at the Huddersfield Festival several times, at the Sydney Gay and Lesbian Mardi Gras, and many other places across the world, most recently at SICPP in Boston USA. In this new recording the Choir of St. John’s College, Cambridge perform Finnissy’s deep, rich and fulfilling music – created as part of a residency, which combines evocative works directly inspired by Tudor Music from the choir's library with more free-form inspirations of this material by the composer. It has taken Conductor and Director Andrew Nethsingha four years to gradually learn the pieces on this recording. He says it “has been a deeply enriching experience which I want others to share”.

kr. 205,00
Image The Gardener of Aleppo & Other Chamber Works
Four previous releases on BIS have all featured John Pickard’s music for large orchestra – or, in the case of the Gaia Symphony (BIS-2061), large brass band. This new album, on the other hand, presents scorings ranging from a solo oboe to a chamber ensemble of eight players. The seven works cover just over 30 years; the earliest one, Serenata Concertata, was Pickard’s first paid commission written at the age of twenty. In his liner notes, Pickard notes that he has an aversion to repeating himself: ‘so each new work tends to be a reaction against the character, structure and technique of the previous one… The result has been a body of work with a wide expressive range and this disc gives some indication of that. The pieces on it are grouped in a broad progression from the serious to the more lighthearted.’ The two opening works are indeed inspired by serious matters – the background to The Gardener of Aleppo is the war in Syria, while Daughters of Zion, the only vocal work on the album, sets a text that reflects on anti-Jewish aspects of certain early Christian celebrations. In the latter work, Susan Bickley joins the players of the celebrated Nash Ensemble, who go on to lighter fare in Three Chicken Studies (Pickard himself has kept chickens as pets) and Ghost Train, a perpetuum mobile built on a cantus firmus derived from the Dies iræ theme. For this and the other chamber ensemble pieces the conductor Martyn Brabbins, a longtime collaborator of Pickard’s, wields his baton.

kr. 149,95
Image Symphony No. 5; Concerto for Orchestra; Supplica
GRAMMY AWARD WINNER FOR BEST CLASSICAL CONTEMPORARY COMPOSITION

★ ★ ★ ★ ★
"It's also brilliantly orchestrated and zestfully performed." Steph Power, BBC Music Magazine.

Few contemporary artists have been as significant as Pulitzer Prize and GRAMMY Award winner Christopher Rouse, whose imaginative approach made him one of the most frequently performed composers during his lifetime. The Concerto for Orchestra is a ‘hyper-concerto’ that gives each player a chance to shine, while the mournful intimacy and passion of Supplica unfolds somewhat like the slow movement of a Bruckner or Mahler symphony. Rouse’s Fifth Symphony fondly recalls Beethoven’s mighty Fifth but blurs the lines between tradition and modernity, transporting the listener from turbulence to serenity. It was described as “brilliant, exciting and at times hauntingly beautiful” in The Dallas Morning News. Champions of new American music, the Nashville Symphony and its music director Giancarlo Guerrero had premiered numerous works and received 13 GRAMMY Awards including two for Best Orchestral Performance. Among their award-winning recordings include works by Michael Daugherty (Metropolis Symphony on 8.559635; Tales of Hemingway on 8.559798), Stephen Paulus (Three Places of Enlightenment on 8.559740), and Jennifer Higdon (All Things Majestic and Viola Concerto on 8.559823).

kr. 80,00
Image Plaisirs illumines
Editor's choice
"A characteristically thoughtful programme from violinist Patricia Kopatchinskaja, which, as she puts it, also offers a showcase of the qualities of the Camerata Bern" Gramophone, februar 2021.

This recording presents the double concerto for violin, cello and orchestra of the Spanish composer Francisco Coll, born in 1985. Les Plaisirs Illuminés, a title inspired by Dalí’s painting of the same name, is rooted in Spanish traditions, including flamenco, yet is resolutely modern: ‘Its music is very lively rhythmically, it dances and sings- but at the same time it is very abrupt, always in search of extremes,’ says Patricia Kopatchinskaja. For this world premiere conducted by the composer, she is reunited with a longstanding partner who pursues an equally brilliant international career, the cellist Sol Gabetta. The program also features Stravinsky’s Concerto in D for string orchestra, composed in 1946 at the request of Paul Sacher for the twentieth anniversary of the Basler Kammerorchester and the Musica concertante for twelve strings by the Hungarian-born Swiss composer Sandor Veress, premiered by the Camerata Bern in 1966. A year earlier, the Argentinian composer Alberto Ginastera wrote his fascinating Concerto for Strings. A kaleidoscope of colors and sounds from all over the world…

kr. 149,95
Image The lion of nobility
The titular ‘lion of nobility’ was (probably) King John II of France, making the most expansive work on this album a lament for a historical event: the French defeat at the Battle of Poitiers in 1356. Elsewhere, Machaut’s protagonist continues to scrutinize the joys and sorrows of courtly love in obsessive detail.

kr. 149,95
Image The Sweetest Songs - Music from the Baldwin Partbo
The richest single source of Tudor polyphony, preserving almost 170 works many of which survive nowhere else, is a set of manuscript partbooks copied between about 1575 and 1581 by John Baldwin, a lay clerk at St George’s Chapel, Windsor. This album is the third and final installment in a series of recordings by Contrapunctus exploring contrasting aspects of this remarkable treasure house of sacred music covering much of the sixteenth century. Owen Rees is both performer and scholar, his scholarship consistently informing his performances. Through his extensive work as a choral director, he has brought to the concert hall and recording studio substantial repertories of magnificent Renaissance and Baroque music, including many previously unknown or little-known works from Portugal and Spain. His interpretations of these repertories have been acclaimed as ‘rare examples of scholarship and musicianship combining to result in performances that are both impressive and immediately attractive to the listener’, and he has been described as ‘one of the most energetic and persuasive voices’ in this field.

kr. 139,95
Image Sean Shibe Plays Bach
Three years as a Delphian artist have seen Sean Shibe record music from seventeenth-century Scottish lute manuscripts to twenty-first-century works for electric guitar, picking up multiple editor’s choices and award nominations for each release, as well as the Royal Philharmonic Society’s prestigious Young Artist of the Year accolade. Now he turns to the music of J. S. Bach, with three works whose obscure early performance history belies their status as repertoire staples for modern guitarists. The musicological questions that have arisen over what instrument Bach intended for these works – questions encapsulated for Shibe by the phrase ‘pour la luth ò cembal’, which appears in the composer’s hand at the head of the manuscript of the Prelude to BWV 998 – are here answered by the unshakeable assurance of Shibe’s performances.

kr. 139,95
Image Cello Suites
Editor's Choice july 2020
"Alisa Weilerstein embraces the full emotional and technical range of Bach's Solo Cello suites with open-hearted devotion - richly coloured playing held aloft in a lovely acoustic." - Martin Cullingford

★ ★ ★ ★ ★
"Most crucially, Weilerstein allows the music's special qualities to emerge naturally from within, with an explorer's sense of fresh discovery, rather than imposing on it a sense of awestruck 'greatness'." BBC Music Magazine

After her acclaimed PENTATONE debut with Transfigured Night, Alisa Weilerstein returns with a complete recording of Bach’s Cello Suites. These pieces present the highest mountain to climb for any cellist, and one of the most transcendent and rewarding experiences for listeners alike. With his suites, Bach crafted — essentially without direct precedent — a body of solo cello music that forever defined the genre and brought the Baroque cello on par with its more popular cousin, the viola da gamba. Since Pablo Casals put them in the limelight again after 150 years of relative oblivion, Bach’s suites have become the alpha and omega for generations of cellists. To Weilerstein, the joy of this music — vibrant, contemporary, unquestionably alive — is the joy of discovery. Having heard and studied these pieces for years, she now entrusts her interpretation to the listener. Since signing an exclusive contract PENTATONE, Alisa Weilerstein has released Transfigured Night (2018), and featured on Inon Barnatan’s Beethoven Piano Concertos Part 1 as well as Old Souls, an album with music for flute and strings (both released in 2019).

kr. 189,95
Image A Fancy
The first notes of the descending chromatic theme break the silence and it seems as if time has stopped. The listener is drawn into the world of John Dowland, the greatest lutenist of all, in a journey through multiple shades of melancholy and lucent hope. Never before had the lute sounded as expressive and colorful as in these masterful Fancies, as dynamic as in these sparkling dances: Renaissance lute music here reached its summit. Bor Zuljan explores these qualities in his debut solo recording, breathing new life into Dowland's masterpieces. Bor Zuljan (1987) is active in different musical genres and projects and searches for a synthesis of contemporary and early music, different world music traditions, jazz and improvisation. He plays guitars, different kinds of lutes, vihuela, oud, tar and other early and traditional plucked-strings instruments. The search for the connection between sound, image and word led him to collaborate in different interdisciplinary projects. He is performing regularly as soloist and with ensembles, such as Le Concert Brisé, Geneva Camerata, Slovenian Philharmonic Orchestra, Ensemble Contrechamps, Vortex, in duo with Dusan Bogdanovic, as well as with his ensemble La Lyra. His projects have been presented in festivals such as the Laus Polyphoniae in Antwerpen, Oude Muziek in Utrecht, Mousiké in Bari, Festival Radovljica in Slovenia and many others. He also performed in China, Algeria, Germany, France, Switzerland, Spain, Denmark and in Croatia.

kr. 139,95
Image Debussy, Chopin, & Mussorgsky
♥ ♥ ♥ ♥ ♥
"Stærk poesi fra 30-årig mesterpianist ... Dukkeserenaden er en opvisning i,
hvor elegant man kan løfte musikken op over taktstregernes tyranni"
Politiken

Editor's choice
"Behzod Abduraimov's move to Alpha was reported last month - and what a start to the partnership, an album of distinguished musicianship, elegance and sheer delight" Gramophone, februar 2021.

Behzod Abduraimov joins Alpha for several recordings, starting with this ‘kaleidoscope of miniatures’ – miniatures that are in fact fairly gigantic, and showcase the Uzbek pianist’s extreme virtuosity and sensitivity. ‘Each movement is in itself a miniature, and taken together they form a kaleidoscope of human emotions and images of all kinds,’ says Behzod Abduraimov. In his view, the pieces in Debussy’s Children’s Corner are not intended for young piano students, but ‘for adults, so that they can immerse themselves in the world of children with a little nostalgia and a lot of humor.’ When it comes to Chopin, ‘each prelude has a different musical essence, creates its own atmosphere. Together they form an arc spanning the distance from the first prelude to the last. So I tried to consider them as a whole.’ Finally, Mussorgsky evokes in ten highly expressive movements the paintings at an exhibition held in posthumous tribute to his friend Viktor Hartmann. A ‘Promenade’ heard several times suggests Mussorgsky himself strolling through the exhibition. For Behzod Abduraimov, the “Promenades” play a key role in this cycle: they create the atmosphere before each painting.

kr. 149,95
Image Opera transcriptions & fantasies
★ ★ ★ ★
"(...) Hamelin thoroughly enjoys himself, surely giving as good as he would have got." BBC Music Magazine

If, as Liszt himself dubbed it, ‘Hexaméron’ is ‘a monster’, it’s a monster which certainly holds no terrors for Marc-André Hamelin, and the encounter between them makes for some thrilling pianism. The remainder of the recital—high-octane transformations of nineteenth-century operatic favourites—is every bit as electrifying, from a musician who never ceases to astonish whatever the repertoire.

kr. 149,95
Image Plays Sonatas by Clementi, Dussek, Hummel, & Wolfl
Editor's Choice july 2020
"From an acclaimed Beethoven pianist, a delightfully imaginative, and gloriously performed, contribution to the composer's anniversary year - an exploration not of him, but of his contemporaries" - Martin Cullingford

In the 250th Beethoven anniversary year, Jean-Efflam Bavouzet has chosen this programme of works by contemporary composers to illuminate and contextualize Beethoven’s extraordinary output for piano. In his explanatory note for the album, the pianist writes: ‘Just as a mountain peak is always surrounded by other perhaps less lofty but no less fascinating summits, the major works of Beethoven are not isolated rock formations rising from the desert, but, as it were, “Himalayas”, forming part of a range in which other mountains might be the best pieces by contemporaries such as Clementi, Hummel, Dussek, and Wölfl. These composers all knew Beethoven well and were in contact with one another. It is essential to know and to make known their music in order better to understand and more thoroughly appreciate the lingua franca of the music of the time, which in turn is part and parcel of the “spirit of the age”, and to be aware of that which unites them, as well as to recognize that which differentiates them and renders each unique. In this year of plentiful Beethovenian commemorations, it appears to me natural, indeed essential, to pay admiring and enthusiastic homage to these composers, each of whom, in his own way, followed his route to the summit.’

kr. 149,95
Image French duets
Recording of the month
"It's hard no to go into auto-rave mode; and you'll notice that, unusually, I haven¨'t worried about comparisons, for this needs none" Martin Cullingford - Gramophone, april 2021.

A bewitching programme of music often associated with childhood, including favourites by Fauré, Ravel and Debussy; works which amply reward the care lavished on them by Paul Lewis and Steven Osborne in these exquisite accounts

kr. 149,95
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