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Schumann, Robert - The Roots & the Flower: Counterpoint in Bloom - Christensen, Jens E.


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★ ★ ★ ★ ★
"Ikke mindst den afsluttende fuga, der efterhånden stiger i tempo (og i saft og kraft) er betagende" Peter Dürrfeld, Kristeligt Dagblad

Although Robert Schumann’s public role in the Bach revival is less well known than that of Felix Mendelssohn, Bach’s music would play an influential effect throughout his life. Schumann would in turn, arrange and perform many of Bach’s works including adding piano parts to the Solo Violin Sonatas and Cellos Suites and trumpets to the St. John Passion! In 1843 he and Clara rented a custom-made pedalflügel - a dreadnought of an instrument combining a Friedrich Wieck grand piano with a pedal keyboard that enabled Schumann’s to play Bach’s organ music at home. During one of his periodic bouts of depression, Schumann became gripped by what he called Fugenpassion and shortly thereafter his obsession with Bach would blossom in the Canons and Fugues of Opp. 56 and 58. The curious name of this album references Carl Nielsen’s advice to fellow composer Ture Rangström, namely, to get down to the roots of a piece so that it would truly flower. And so following Nielsen’s advice, acclaimed organist Jens E. Christensen, a master of styles ancient and modern, dug deep to uncover the roots of Schumann’s imagination for this truly extraordinary program, a lovingly cultivated German-Danish, Piano-Organ, Baroque-Romantic hybrid, that will no doubt become a perennial favorite for fans of Schumann’s most florid contrapuntal creations.
Fakta
Varenummer 6220675
Stregkode 0747313167562
Udgivelsesdato 03-09-2021
Kategori Klassisk musik
Plademærke Our Recordings
Medie Type CD
Antal enheder 1
Kunstnere
Komponister Schumann, Robert
Kunstnere Christensen, Jens E.
Disk: 1
6 Studien in kanonischer Form, Op.56
1 Fuge Nr. 1 (Langsam)
2 Fuge Nr. 2 (Lebhaft)
3 Studie Nr. 1 C-dur (Nicht zu schnell)
4 Studie Nr. 2 a-moll (Mit innigem Ausdruck)
5 Studie Nr. 3 E-dur (Andantino)
6 Fuge Nr. 3 (Mit sanften Stimmen)
7 Fuge Nr. 4 (Mässig, doch nicht zu langsam)
8 Studie Nr. 4 As-dur (Innig)
9 Studie Nr. 5 h-moll (Nicht zu schnell)
10 Studie Nr. 6 E-dur (Adagio)
11 Fuge Nr. 5 (Lebhaft)
12 Fuge Nr. 6 (Mässig, nach und nach schneller)
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